Sunday, May 29, 2011

Shipping News

Peter Kreet

"Into the swell"
                                         Acrylic on Board   $650.

During the six years I spent in the merchant navy I acquired a great affinity for the sea and ships. It is a subject matter that I have returned to on and off over the years. These are a few examples of various approaches

"Wreck of the Laura"
                                               Acrylic on board  $1500.  (sold)


"Laura II"
                                               Acrylic on Board.  $1500.

Over the years I have undertaken several painting based on ships, wrecks and the sensation of the sea.
"Wreck two"
                                                 Acrylic on Board.  $1800.


Much of this is based on my six years experience as a seaman and affinity with the sea.

Begetting of Sealegs

NFS

Peter Kreet




Not everyone goes to sea to see the sea, in my case it was more a case of extreme necessity, a dry and warm place to sleep and most importantly three meals a day. Mother had been discharged from Parramata Mental Hospital and was currently installed in a very damp, dingy bedsit in Roslyn Street, King Cross.The flat was a basement affair so you needed to leave the light on during the day, unless you  wished to carried a flash light in you back pocket. The apartment  had one room with an alcove off to cook and a bathroom off an open veranda. This unfortunately was open to a narrow alleyway where all the garbage was stored for the twenty odd flat resulting in a high rat population. When ever you wish to visit the bathroom particularly at night it was wise to carry a broom with you as you most likely needed to flatten a few rats on the way. Mother now was receiving a disabled pension bed ridden and only able to walk a few steps with the aid of a cane. Someone would visit each day to cook a meal give her a wash. Jack who had somehow against all the odds had obtain her release used to visit to keep her company. He suggested that as my grandfather had been a master mariner with Burns Philp that I should try to obtain a cadet ship with the company.

This seemed like a great solution to the problem as to where I could live . The only draw back being that I needed a uniform and as money was in short supply mother gave me her last valuable possession, a large aquamarine ring to sell. Even this proved to be a trial ,.as the pawn shop I found willing to buy the ring asked me to wait', after fifteen minutes or so two policemen arrived and took me into custody on the grounds that the ring must be stolen. After several hours and a police visit to mother's flat I was released and able to complete the sale.

A great sense of excitement griped me as it would any fifteen year old at the prospect of setting out on a new adventure. At the time the wage of six dollars a month did not bother me , only later did I realise that this was no where near enough to help mother pay her medical bills let alone live, still more of that later. My main job seemed to consist of cleaning the brass whistle on the funnel, then the ship's bell and all the other brass objects aboard from top plates on doorway to plates that seemed to be everywhere on the ship's rails. It seemed to take days .

 S.S.Burnside  belonged to a drying breed steam ships with all their accompanying soot and grit that I seemed to be forever getting in my eye. They were the day of trimmers who had to drag the coal forward towards the furnaces and boilers and stokers could shovel it in. It was very hot work particularly in the tropics and I was grateful that this was not my job. In those days crews where made up of different racial groups, in our case Malays on deck, Chinese cook and stewards and Indians in the engine room. This I was told was done to keep order as the various racial groups could be counted on to argue among themselves.

We sail on through Torres Strait to Surabaya in Java where I experienced my first fatality when a linesman on the wharf lost his leg when a wire broke and wiped back onto him. The harbour was  a mess, full of sunken war wrecks , broken cranes and railway tracks with no skilled workers able to repair the Dutch infrastructure. Sukarno had just obtain independence from the Netherland so the country was still in some termoil. Most of the roads were little more than dirt track and you had to pick you way through rubbish ,holes and large puddles of water.In those pre-container days ships would spend many days or weeks in port. There where many inter island ships with Dutch officers  left over from war, as well as tramp ship a breed of shipping that seems to have disappeared from world. Some of these vessels I learned from talking to crew members took two  to three or more years before returning home. They loaded a cargo for say South America ,unloaded , reloaded and then went  on to who knows where.

In port I had a new job drawing cargo plans. This required a detailed layout of where all incoming cargo was stored so that each batch was not stacked on top of goods due to be discharged at the next port .After a few days we sailed on to Jakarta and Singapore. In the 1950's Singapore looked nothing like the city we see today. The city was still to a great extent showing signs of the war, the Japanese occupition. Raffles Hotel was the largest building and many road where in a state of disrepair. Chang's Alley seemed to be the focal point of commercial activity, it was a whole new experience People cooking in doorways, eating in the street, while all around hawkers trying to sell everything that seemed available on the face of the earth. There was the strong aroma of spice mixing with the strains of "Rose of Malay" (a very popular song at the time) drifted across the heavy tropical night air. Another favorite haunt of mine used to be New World and Happy World. To-day I have no idea where they were as all has disappeared under the developers hammer. As I remember there were gift shops, fun parks, bars, dance halls ,cafes and everything in between.

After Singapore we sailed up the Malay Peninsular to Penang, loading rubber, coffee, tin,timber at various ports before returning to Singapore. After a stay of a few more days we set off for Sarawak and sailed up some river between tropical jungle on each bank. Eventually on rounding a bend in the river we were greeted by a fleet of log rafts, Each raft  was controlled by a single man armed only with a pole, they were very agile and would jump from log to log without losing their footing. The loading of this timber took several days and we had time to observe the activity on the river. Whole families liveing in small dug out type boats partly enclosed, cooking, sleeping their whole life took place within the confines of these vessels. The common name for these boats was " bum boats" I will leave it to your imagination as to the implication.

After loading the logs we returned to Sydney. I made several more voyages on this ship, sometimes to different ports and islands, but the routine was much  the same. In the end the pressure to earn a larger income to support mother forced me to abandon my cadet ship and I joined the Australian Seaman Union and spent the rest of my six seagoing years on Australia. This proved to a very different experience.

footnote ::Joined the Burnside in June 1953.

Friday, May 27, 2011

War Prize?

Peter Kreet  "Into the Swell"


At the end of wars comes the distribution of spoils. The Union Steamship Co. acquired a former German submarine supply ship that had spent her time rearming u -boats in the north Atlantic. Whether it was a satisfactory prize remained questionable as she would roll and pitch at the same time resulting in a high rate of sea sickness. This was caused by the down sizing of the propellers for economic reasons. In addition she was fitted with a strange steering system for her twin rudders. This consisted of two buttons instead of a normal ship's wheel, the helmsman would push down the right button (starboard) to go right and the left (port) to go left. This was all very well in calm weather but proved to be a nightmare in heavy seas.

The ship was fairly small, only 705 tons and when I joined her as an ordinary seaman in midwinter for a run down to Hobart it was only out of necessity, I need a job. The weather was foul and the down sizing of the propeller made her hard to hold a course even in good weather let alone in a storm. I was on the midnight watch and had to crawl up to the bridge hanging onto a rope as the vessel was so unstable. The storm was building up and already the seas where several metres high. As we slid down one side of of the swell the wall of water on the other side of the trough kept rising higher and higher until the swells' top was way above the ship's mast. We were ziz zazing down and holding our breath coming up, just praying we wouldn.t broadside to the on coming sea. The steering had to be corrected by pushing the opposite button to bring the rudders back to midships, unlike a normal ship's wheel that is self correcting. Trying to hold a course proved near impossible. The second mate had ordered the watch to put out a sea anchor ( a canvas parachute item that held the bow into the wind), but to no avail.

All ready the well deck was under a metre of water and the lashings on a number of drums  on deck were coming undone. Men had to lash them selves to the safety rail before venturing out to try to secure them. Even so two seamen finished up with broken. Bass Straight can be one of the roughest stretches of water in the world due to its shallow nature. All .we could hear was the piecing wail of the wind and crashing thunder of the sea hitting the ship.from every direction. Everyone was in some state of seasickness and no doubt wondered why they were here. I most certainly did and gave serious thought to call this career quits. Some how after twenty four hours of just hanging on we limped into Hobart and the friendly arms of the locals.

Thursday, May 26, 2011

Abstract & Non-Objective Painting

  1. Peter Kreet
Tsunami
Acrylic on board   $1200

This painting was undertaken in response to the tsuanmi in Sumartra , We held an exhibition at T.M.A.G. to raise funds for the victims. Various artists donated work and all told we raised some $22000.



Peter Kreet "Vision of a wreck" 2004
Acrylic on Board  $1000
The wreck can be seen if you walk along the rocks in the Channel Area.

Peter Kreet "Allegro in Yellow" 2005
Acrylic on Board  $500


Peter Kreet "Moneky Business" 2005
A fun view on life.   (sold)


N

Peter Kreet "Laura Walk" 2004
Acrylic on Board     (sold)

Non-objective painting offers the artist total freedom, it allows for total self expression.
There is no prior agenda, simply an opportunity to open a window onto your sub-conscious.
It is the experience that is  important, in a sense a Zen experience, either you are able to relate or you aren't.




A week to forget

Last week was one most of us would wish to forget, but on second thoughts I remembered I had promised myself to be as truthful as possible in both events and memories.It started with the drama  of stitching giving way on my recent skin graft on my head and the ensuring rush to hospital [ see encounter with fate]. But this proved not to be the only disappointment I experienced as I was diagnosed with Idropathic pulmonary fibrosis [ thickening of  lung tissue to the point where there is lung no a longer function],  The worst news being such  a condition has no cure nor responds to any suppressive therapy.

Everyone imagines that they will live into ripe old age and these events only happen to others, reality is always a shock. I am trying at the moment to be as philosophical as possible under the circumstances, but at times this is hard. Hoping for some break through solution, but reality keeps drawing me back to a bucket list I must put into action. At least I now have a time frame, always a good thing, so the important thing is to remain positive, finish outstanding current projects and hope that in the near future some treatment appears on the horizon.

Bella Italia

 Making notes of various theatrical techniques so beloved by conductors can be both rewarding and entertaining to both eye and imagination. Olari Elts performance last night with the Tasmanian Symphony Orchestra in his rendition of Puccini's Messa di Gloria proved to meet both.
          
I had not heard this mass since I was a boy soprano ,where our then choirmaster was nick named Windmill
due to the energy he exerted waving his arms around. He was equally formidable in administering the cane to any boy not paying sufficient attention.Conductor Elts did not fail in this respect, although not as expansive for his controlled performance with prods, pushes and pulls. His movements at times often resembled the sensual movement of a lover's hand on the loved one thigh. Unfortunately this was not enough to lift the strength of the female section of the choir above the ever present volume of the orchestra. But despite this shortcoming the performance was highly memorable.

Wednesday, May 25, 2011

Tasmanian East Coast

Peter Kreet "Bruny Island" 2007
                                            Acrylic on Board  $1500    (sold)    


Peter Kreet "Bruny Island Two" 2007
                                                 Acrylic on Board.   $1500.



Peter Kreet "Another World" 2008
                                               
                                           Acrylic on Board.   $1500.
Peter Kreet "Bicheon Walk"  2007
Acrylic on Board   (sold)

Peter Kreet"East Coast" 2007
                                             Acrylic on Board  $750



Peter Kreet "Rocky Coast" 2007
                                                   Acrylic on Board  $1500

Tasmanian East Coast Is one of the state's most beautiful coast line. I particularly love the colours and sculpture shapes of the rocky shoreline. I travell up the coast as often as possible, I have still to arrive at a satisfactory abstruction of this landscape.


Peter Kreet "Bruny Coast" 2008
Acrylic on board