'The displaced' by Peter Kreet 196.7 Acrylic on board 6ft. x 4ft. |
Role of
Spontaneous Expression.
The role of
spontaneous expression and intuition play a central role in creative art. Particularly
in the west a strong attitude of revolt is also required. Some of the most
exciting work in the modern era embrace the concept of spontaneity.
Expressionism is best described as a form of subjective interpretation of
someone or something, beyond objective observation. The state of mind of the
creator is reflected rather than an image conforming to what we may call the
external world. Historically expressionism has been with us in many forms from
the very earliest times through tribal cultures. During the Reformation its
basic concepts are well expressed in Matthias Grunewald’s “Crucifixion” c1513.
Expressionism
in the modern sense made itself felt in the latter 19th cent to the
heady years of early 20th cent art with the strong use of
non-natural colour and distorted form. The idea behind this intuitive approach
is the attempt to convey an inner feeling about the subject. This spontaneous
response often presents itself in an eruption of irrational forces from within.
Abstract Expressionism stands as a good example.
A number of
years ago I painted a series of works based on a response to the Vietnam War.
At the time I was living in Sydney and with the introduction of conscription the
Australian population was divided. The exhibition at the time was closed down,
but the real subject really dealt with the futile nature of war. I have posted
a painting from the series so you can understand what I personally mean by
expressionism.
' Grim Reaper' by Peter Kreet. 1967.
Acrylic on board 6ft. x 4ft.
It is
reasonable to claim that often the idea expressed deals with an emotional
turbulence within without conventional logic. Van Gogh an early exponent of expressionism
underlines this abandonment of conventional logic, but this quality reinforces
the power of expressionism to create meaning. Munch’s “Cry” with its use of
violent colour and lineal distortion truly expresses the elemental emotion of
fear, love and hate.
Northern
Europe has long been the home of this type of expression, over the centuries
the contrast between Italian and German art bears witness to these different approaches,
were restraint was thrown to the wind. Whether this is due to the long winters is
hard to say, but I do believe our environment and personal circumstances play a
part in artistic output. Most of us would accept that colour directly or
indirectly reproduces personal responses.
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